Museum Tsunami: The Greatest Building on Banda Aceh

If you are involved in the 2005 Nangro Aceh Darussalam Tsunami, the Tsunami Museum is a must visit. The historic museum was inaugurated by the late President Susilo Bambang Yudhoyono in late February 2009. Designer M Ridwan Kamil says it should be a museum of anti-tsunami symbol structure, a combination of Dipanga Dibukunandi buildings. Panga Dibukunandi.

He further revealed that the choice of stilt buildings was inspired by Aceh's traditional stilt house which has proven to be resistant to natural disasters. Although the concept of a mountain is derived from the concept of a mountain (the concept of a mountain) as an anticipation for future tsunamis.

While designing the museum, OA responds to several important aspects of the design, such as: the memory of the tsunami disaster, the functionality of a museum building, the cultural identity of the Achinese people, new aesthetics that are responsive to modern concepts.

The magnificent building of the Tsunami Museum looks like a large ship anchored from the outside. Below is a fish pond. It is the only museum in Indonesia and it is impossible to be a world tsunami museum.

Design concept

Some of the basic concepts that influenced the design of the Tsunami Museum include the following places: the traditional Aceh House, the foot of the hill (Antnafuel); The waves of the sea, the Achinese dance (saman-dan), the light of God, and a garden for the community.

According to Ridwan Camille, the design of the Tsunami Memorial takes the initial idea of ​​Ache's stilt houses as it can serve as an example of past architectural knowledge in response to challenges and natural disasters. Similarly, the shape of Rescue Hill on the building predicts future tsunami hazards.

As for the size of the building plan, which resembles a higher wave, it is an analogy as well as a reminder of tsunami danger. Meanwhile, according to Emil, the concept of a common Achinese dance in the building symbolizes the harmony and cooperation between people, which is later translated into the exterior of the building.

In Juna's case there is a cylindrical well-shaped space that glows upwards as a symbol of man's relationship with his God. Don’t forget that he also created an open park for the community that can be accessed and used at any time in response to the urban setting.

The psychological effects of space

It could be a tragic tsunami. Spatial planning inside a specially designed museum. Emil explains the order of space (Volgord) in the building that visitors must pass carefully. This creates a complete psychological effect on people's perceptions of tsunami disasters. To do this, the space is designed in three zones, namely: memory cell; A place of hope and a place of enlightenment.

Gold Memorial Room, Tsunami Corridor and Memorial Hall repaired. The tsunami-receiving guest museum in the area is a narrow corridor with high walls and waterfalls reminiscent of the atmosphere during a tsunami. Although the Memorial Hall is a city area where people communicate, a tsunami caused. In the Acheh Memorial Hall there is a lamp sitting in the light of the hole which is reflected from the pond.

While in gold, the Room of Hope was illuminated in the form of a Blessing Chamber and a porch of hope. The Van Sen Room is a transitional space that has never been remembered before. This house is a high well with Victim's name engraved on the wall. This well is illuminated by a circular dakram with calligraphy of Allah Subhanahu wa Ta'ala as the meaning of the presence of hope for the Aceh expatriates.

Although the Atrium Van Hoop is a large Atrium room as a symbol of hope and optimism towards a better future. Visitors will use the balcony across the pool to feel a relaxed mood. This balcony with weerkaatsende swembad can be visually accessed at any time but cannot be physically passed.

The relief chambers for the gold have been translated into mountains of light and escape roofs. Hewlett van Leeuwen is a park in the shape of a small hill, as the initial suggestion of a souvenir. It is a public debate over whether there are law enforcement agencies that can be contacted to make complaints against individuals. If you are interested in becoming a member, please contact us. Very personal as well as communal. A moderate escape dachshund is the roof of a building that can be planted with grass or landscaping in the form of a dachshund. The roof has been designed as a potential area for future floods and tsunamis.

Name : Tsunami Museum Nangro Aceh Darussalam Location : Aceh (NAD) Architect : PT Urban Indonesia Chief Architect : Mr. Ridwan Kamil Complete: 2008 Photo / Photo : PT Urban Indonesia